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Instead, like Ani, Bryce’s character becomes a plot device to keep the series going.Īlisha Boe and Brandon Flynn in 13 Reasons Why Photograph: David Moir/Netflix Certainly, there are any number of sophisticated dramas that force viewers to contend with fascinatingly complex villains, but Bryce’s shift from sadistic rapist to troubled teen is so underwritten it could barely be described as character development at all. His character is given center stage throughout the season, with the show’s aim clearly being to demonstrate how a kinder, gentler Bryce is capable of being more than vicious.
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#RELEASE DATE FOR 13 REASONS WHY 2 SERIAL#
Worse still, the most recent season is also shockingly lacking in nuance, especially as it aims to humanize Bryce, a serial rapist and bully, who has been terrorizing Liberty High since the first episode. Certainly, there are other ensemble dramas that struggle with too many storylines, but 13 Reasons Why is so obsessed with showcasing teen trauma that the series doesn’t even seem invested in specific character development, which is why tacking on Ani as a strange new narrator who has no connection at all to Liberty High struck even diehard fans as strange and off-putting. But instead, the new season confirms how the series has no moral compass at all. In moving away from Hannah’s story, it’s clear that 13 Reasons Why hoped to put to bed many of the complaints about the ways that the series could affect vulnerable teens. The season is barely held together by the narration of a completely new narrator, Ani, an annoyingly self-absorbed and self-aggrandizing recent transfer to Liberty High, who waxes on philosophically about truth and secrets as fellow students are placed through a laundry list of “teen issues” such as bullying, teen pregnancy, drug use, assault and sexual violence.
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The series reboots itself as a supposedly less inflammatory teen murder-mystery that manages somehow to be boring, manipulative and toxic all at once. In contrast, the third season just isn’t sure what to do with itself and its characters. At least the second season, which was often frustrating and included a scene of sexual violence that came across as lurid and exploitative, remained invested in looking more deeply at Hannah’s character and how her suicide affected those closest to her. The result is a show that comes across as slapdash and careless about the very problems it proclaims to take seriously. In the recently released third season, it continues to traffic in cliche, presenting a teen drama that is one-part soap opera and one part after-school special. In contrast, the subsequent two seasons have routinely missed the mark, depicting adolescence as a time of cloying sweetness and unbearable cruelty.
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While it was always overwrought, the first season of 13 Reasons Why was punctuated with moments of sincerity that rang true, especially in scenes that illustrated the friendship and connection between Hannah and her exceptionally earnest friend Clay. In response, the series has now spent two seasons trying to have its cake and eat it, doubling down on its insistence that it’s an essential show that takes teenage pain seriously, while also turning those same issues into a melodramatic soap opera.